In recent years, digital cameras, related to their video recording feature, can record the sound as well. From this point forth, in a deadpan photograph, adding the ambient noise and sounds – recorded with the same device - to the photograph as a spectrogram and turn them into a part of a “universe of things” or “world of objects”, which was given us by a photograph is the basis of the project.

Beyond a photography project, “Everyday Noises” should be considered as an experiment to provide a basis to think on a phenomenological difference, ontological indifference and contingency of objects through accepting the ambient noise as a visual element of a photograph.